Notes from the Multiplex

Personal blog of Chris Grosvenor, Lecturer and Researcher in Film Studies

  • Review: Foxcatcher (Miller, 2014)
  • Review: Enemy (Villeneuve, 2015)
  • Review: Exodus: Gods and Kings (Scott, 2014)
  • Review: Unbroken (Jolie, 2015)
  • Review: The Theory of Everything (Marsh, 2015)
  • Review: The Interview (Goldberg and Rogen, 2014)
  • Frames in Focus: East of Eden (Kazan, 1952)
  • 2014 Top Ten: Foreign Language Films
  • Review: Magic in the Moonlight (Allen, 2014)
  • 2014 Top 10: English Language Films
  • Review: Black Sea (Macdonald, 2014)
  • Review: The Homesman (Jones, 2014)
  • Review: Stations of the Cross (Brüggemann, 2014)
  • The German Expressionist Influence in The Red Shoes
  • Frames in Focus: Black Narcissus (Powell and Pressburger, 1947)
  • Facing the ‘Enemy’: The Life and Death of Colonel Blimp
  • Review: Winter Sleep (Ceylan, 2014)
  • Frames in Focus: Blancanieves (Berger, 2012)
  • Frames in Focus: The Lost Weekend (Wilder, 1945)
  • Frames in Focus: The Thing (Carpenter, 1982)
  • Frames in Focus: The Graduate (Nichols, 1967)
  • Review: The Imitation Game (Tyldum, 2014)
  • Review: Interstellar (Nolan, 2014)
  • Frames in Focus: The Godfather (Coppola, 1972)
  • Review: Nightcrawler (Gilroy, 2014)
  • Halloween on Netflix: Top Horror Films to Screen this Friday
  • Review: Fury (Ayer, 2014)
  • Review: The Judge (Dobkin, 2014)
  • LFF Review: Stereo (Erlenwein, 2014)
  • LFF Review: Black Souls (Munzi, 2014)
  • LFF Review: Rosewater (Stewart, 2014)
  • Review: Gone Girl (Fincher, 2014)
  • Review: Ida (Pawlikowski, 2013)
  • Framing Power in The Master
  • Montage in The Great Beauty
  • ‘I’m a Girl!’: The Affectation of Identity in Some Like it Hot
  • Exchanging Glances in Seven Samurai
  • Stories Within Stories Within Stories
  • Under the Skin and in the Shadow of Kubrick

Thanks for reading!

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