Notes from the Multiplex

Personal blog of Chris Grosvenor, Lecturer and Researcher in Film Studies

  • Film Review: Longlegs (Perkins, 2024)
  • Film Review: The Imaginary (Momose, 2023)
  • Film Review: The Watchers (Shyamalan, 2024)
  • Revisiting The Phantom Menace: Reflections of a Lifelong Star Wars Fan
  • Comic Review: Doctor Who: The Fifteenth Doctor #1
  • Comfort Food: Some Quick Thoughts on The Bear
  • Film Review: A Quiet Place: Day One (Sarnoski, 2024)
  • Film Review: In a Violent Nature (Nash, 2024)
  • Film Review: Talk to Me (Danny and Michael Philippou, 2023)
  • Film Review: Cobweb (Bodin, 2023)
  • Film Review: The Tunnel to Summer, the Exit of Goodbyes (Taguchi, 2023)
  • Film Review: Asteroid City (Anderson, 2023)
  • Film Review: Surrounded (Mandler, 2023)
  • Film Review: Mission: Impossible: Dead Reckoning Part 1
  • Film Review: Indiana Jones and the Dial of Destiny (Mangold, 2023)
  • ‘From’ and the Ghost of ‘Lost’
  • Film Review: The Flash (Muschietti, 2023)
  • Film Review: Reality (Satter, 2023)
  • Film Review: Skinamarink (Ball, 2023)
  • BEST OF 2022
  • TV Review: 1899 (Netflix, 2022)
  • Black Panther and the Loss of a Hero
  • 4 Essential Resources for Cinephiles
  • Film Review: Aftersun (Wells, 2022)
  • TV Review: Andor, Episodes 8-9 (Disney +)
  • Film Review: Neptune Frost (Williams, 2021)
  • TV Review: Andor, Episode 7 (Disney+)
  • Film Review: Black Adam (2022)
  • TV Review: Andor, Episode 6 (Disney+)
  • TV Review: Andor, Episode 5 (Disney+)
  • Film Review: My Best Friend’s Exorcism (Thomas, 2022)
  • TV Review: Andor, Episode 4 (Disney+)
  • News: BBC Radio Devon Interview (26 Sep 2022) on Cinema on the Front Line
  • TV Review: Andor, Episodes 1-3 (Disney +)
  • Film Review: Drifting Home (Ishida, 2022)
  • Film Review: Saloum (Herbulot, 2021)
  • Film Review: Clerks III (Smith, 2022)
  • News: Theatre Library Association Prize
  • Film Review: Hatching (Bergholm, 2022)
  • Film Review: Funny Pages (Kline, 2022)
  • Film Review: Glorious (McKendry, 2022)
  • Jordan Peele: Auteur or Metteur en scène?
  • The Sandman, Seriality (Cereality?) and the Value of Truly Episodic Television
  • Film Review: Hit the Road (Panahi, 2021)
  • Incantation (2022), Active Spectatorship and Optical Illusions
  • Film Review: The Feast (Haven Jones, 2022)
  • Film Review: Lingui, The Sacred Bonds (Haroun, 2021)
  • Film Review: Mad God (Tippett, 2021)
  • Film Review: Hive (Basholli, 2021)
  • Film Review: Ultrasound (Schroeder, 2022)

Thanks for reading!

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