Notes from the Multiplex

Personal blog of Chris Grosvenor, Lecturer and Researcher in Film Studies

horror

July 8, 2024

Film Review: The Watchers (Shyamalan, 2024)

Chris Grosvenor
July 1, 2024

Film Review: A Quiet Place: Day One (Sarnoski, 2024)

Chris Grosvenor
June 29, 2024

Film Review: In a Violent Nature (Nash, 2024)

Chris Grosvenor
August 16, 2023

Film Review: Talk to Me (Danny and Michael Philippou, 2023)

Chris Grosvenor
July 4, 2023

‘From’ and the Ghost of ‘Lost’

Chris Grosvenor
October 4, 2022

Film Review: My Best Friend’s Exorcism (Thomas, 2022)

Chris Grosvenor
September 16, 2022

Film Review: Saloum (Herbulot, 2021)

Chris Grosvenor
September 1, 2022

Film Review: Glorious (McKendry, 2022)

Chris Grosvenor
August 25, 2022

Jordan Peele: Auteur or Metteur en scène?

Chris Grosvenor
August 10, 2022

Incantation (2022), Active Spectatorship and Optical Illusions

Chris Grosvenor
August 8, 2022

Film Review: The Feast (Haven Jones, 2022)

Chris Grosvenor
June 16, 2022

Film Review: Mad God (Tippett, 2021)

Chris Grosvenor
June 15, 2022

Film Review: Ultrasound (Schroeder, 2022)

Chris Grosvenor
June 30, 2021

Film Review: Vicious Fun (Calahan, 2020)

Chris Grosvenor
June 18, 2021

Film Review: In the Earth (Wheatley, 2021)

Chris Grosvenor
May 19, 2021

Film Review: The Strange House (Prochaska, 2020)

Chris Grosvenor
March 24, 2021

Film Review: Come True (Burns, 2020)

Chris Grosvenor
March 10, 2021

Film Review: The Owners (Berg, 2020)

Chris Grosvenor
August 11, 2015

Review: The Gift (Edgerton, 2015)

Chris Grosvenor
March 21, 2015

Review: When Animals Dream (Arnby, 2014)

Chris Grosvenor
November 23, 2014

Frames in Focus: The Lost Weekend (Wilder, 1945)

Chris Grosvenor
November 22, 2014

Frames in Focus: The Thing (Carpenter, 1982)

Chris Grosvenor
October 29, 2014

Halloween on Netflix: Top Horror Films to Screen this Friday

Chris Grosvenor