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Notes from the Multiplex
Personal blog of Chris Grosvenor, Lecturer and Researcher in Film Studies
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Articles
July 4, 2024
Revisiting The Phantom Menace: Reflections of a Lifelong Star Wars Fan
Chris Grosvenor
July 2, 2024
Comfort Food: Some Quick Thoughts on The Bear
Chris Grosvenor
July 4, 2023
‘From’ and the Ghost of ‘Lost’
Chris Grosvenor
June 26, 2023
Film Review: The Flash (Muschietti, 2023)
Chris Grosvenor
December 20, 2022
BEST OF 2022
Chris Grosvenor
November 16, 2022
Black Panther and the Loss of a Hero
Chris Grosvenor
November 10, 2022
4 Essential Resources for Cinephiles
Chris Grosvenor
September 15, 2022
News: Theatre Library Association Prize
Chris Grosvenor
August 25, 2022
Jordan Peele: Auteur or Metteur en scène?
Chris Grosvenor
August 23, 2022
The Sandman, Seriality (Cereality?) and the Value of Truly Episodic Television
Chris Grosvenor
August 10, 2022
Incantation (2022), Active Spectatorship and Optical Illusions
Chris Grosvenor
August 6, 2021
Comic Book films, Martin Scorsese and the ‘Footballification’ of Film Culture
Chris Grosvenor
August 4, 2015
(Re)aquainting Ourselves With Atticus Finch
Chris Grosvenor
March 11, 2015
Look Into My Eyes…
Chris Grosvenor
February 20, 2015
NFTM’s Oscar Picks (Updated)
Chris Grosvenor
December 3, 2014
The German Expressionist Influence in The Red Shoes
Chris Grosvenor
December 1, 2014
Facing the ‘Enemy’: The Life and Death of Colonel Blimp
Chris Grosvenor
September 28, 2014
Framing Power in The Master
Chris Grosvenor
September 27, 2014
Montage in The Great Beauty
Chris Grosvenor
July 20, 2014
‘I’m a Girl!’: The Affectation of Identity in Some Like it Hot
Chris Grosvenor
April 17, 2014
Exchanging Glances in Seven Samurai
Chris Grosvenor
April 16, 2014
Stories Within Stories Within Stories
Chris Grosvenor
April 14, 2014
Under the Skin and in the Shadow of Kubrick
Chris Grosvenor
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